Plagiarism
A short listening and editing game: a scene is playing, and any shore performer can "plagiarize" a line already said in it. Its author immediately exits, and those remaining start a brand-new scene with that phrase. Good for training attention to text, memory, and fast hard cuts.
Players
3β8
Difficulty
Beginner
Full description
Setup and Launch
Mark the playing area and the "shore" for waiting performers. Explain the key rule: a performer on the shore can at any moment stop the current scene by saying β word for word β a line that was already said in that scene. The author of the quoted line goes to the shore without comment; those remaining instantly start a new scene, treating the quoted line as its first line.
Launch the first scene with 2β3 performers; the rest observe and listen. Ask everyone to deliver full, substantive lines so there's something worth "plagiarizing," and agree that only complete phrases are quoted β not filler words and nods.
Flow
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Scene start. 2β3 performers play a coherent, clear scene; the shore listens carefully and memorizes exact phrasings.
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The "plagiarism" call. A shore performer steps into the space, the scene freezes; they clearly and word-for-word say a line previously spoken in the current scene.
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Cast change. Whoever said that line in the original scene immediately goes to the shore. No explanations or goodbyes β a hard cut.
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New launch. Those remaining on stage treat the quoted line as the first line of an entirely new scene: new roles, place, and circumstances without carrying over information.
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Rhythm. The game continues: the shore "plagiarizes" when ready, the trainer ensures quotes happen after completed thoughts and don't cut off a word mid-way.
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Finale. End on time or after several clean switches, when energy drops or a vivid thematic rhyme has occurred.
The trainer holds tempo and clarity: requires word-for-word quotes, forbids "empty" words, quickly resolves author disputes (if unclear, the trainer designates who exits), and reminds everyone of a complete world reset at each restart.
Key rules
The quote must be word-for-word and complete; forbid filler words and function words β take phrases with content.
When the "plagiarism" is called, the scene instantly freezes β make sure no one "plays out" the tail of a line.
If it's unclear who said the original line, the trainer immediately designates the author so as not to lose tempo.
After the author exits, performers completely reset the world: new roles, place, and relationships, nothing carried over from the previous scene.
Regulate the frequency of "plagiarisms": not before a thought is complete, and not so rarely that the scene loses its edge.
Context
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